Page 46 - Studio International - January 1965
P. 46

Pomodoro-jewels
        1
       -----
        2
       ----
        3 | 4
                                                                                  Arnaldo and Gio Pomodoro are two  Italian artists from
                                                                                  the Marche who, since they came to work in Milan about
                                                                                  ten years ago, have earned world reputations as sculp­
                                                                                  tors, Arnaldo receiving a grand prize at last year's Venice
                                                                                  Biennale,  qualifying in default of a painter.  Alongside
                                                                                  their work  in monumental scale and smaller pieces of
                                                                                  gallery  size,  the  two  brothers  are  busy  jewellers,
                                                                                  creating a  variety of  personal ornaments  in  silver and
                                                                                  gold  with  and  without  stones.  for  the  adornment  of
                                                                                  women, as well as table objects such as cigarette boxes.
                                                                                   This reversion to a medieval completeness  0f artistic
                                                                                  productivity  carries  with  it  a  spirit  of  creation  that  is
                                                                                  without ambiguity.  Looking at a brooch by Arnaldo for
                                                                                  example, one can see in miniature some of the charac­
                                                                                  teristics of his larger sculptures in bronze such as the
                                                                                  striated surfaces of parallel ridges in rectangular planes
                                                                                  or  the necklaces incorporate the half-opened spheres
                                                                                  revealing  their  toothy  interiors  akin  to  those  seen  at
                                                                                  Venice in bronze.  But there is no feeling of minuscule
                                                                                  sculptures  in  the  component  parts  of  the  jewellery­
                                                                                  though the surfaces are akin,  the pendant weight and
                                                                                  that of complementary counterpoint to the accompany­
                                                                                  ing shapes belong uniquely to the additive effect and
                                                                                  the fact too that their setting and background is human
                                                                                  skin and a woman's dress.  In the case of  Gio  we see
                                                                                  without a doubt the fondness for bending a flat plane to
                                                                                  take on sometimes an analogy with the contours of the
                                                                                  human body; it gives a sensual warmth to brooches and
                                                                                  necklaces and echoes the curve of the torso it enhances.
                                                                                   Jewels  by  the  brothers  were  shown  at  the  world­
                                                                                  famous modern jewellery exhibition held at Goldsmiths
                                                                                  Hall in  London three years ago and  Marlborough  Fine
                                                                                  Art Ltd. of Rome and London has shown and sold much
                                                                                  of  it  in  recent  times.  From  November.  the  gallery  of
                                                                                  Semi ha Huber at Zurich held its first exhibition of recent
                                                                                  works  by  the  Pomodoro  brothers-one  of  the  most
                                                                                 appropriate places to show jewellery, as Mme. Huber is
                                                                                 one of the most attractive persons to wear it.   G. s. w. ■









































       34
   41   42   43   44   45   46   47   48   49   50   51